This isn't technically (digitally? legally? literally?) a conflict of interest. Not really.
Some months ago, the folks at WireTap decided to try out a listener's hotline. They claimed not to know what they'd do with it; they just wanted to try it out and see what happened. Listeners were encouraged to call in with all of their problems, whether personal or professional. This happened to be the same time that I was eagerly awaiting Jonathan Goldstein to follow-up on a previous email in which he stated that he was "happy to talk." I had emailed to request a date (no, not that kind of date, though I would not have declined such an invitation myself) to speak in person, as I was heading to Montreal for a short visit. A few weeks had gone by and I hadn't heard back from Goldstein. Wanting to find that delicate balance between pushy/stalker and disinterested/doormat, I had vowed to give it one more week until I wrote him again. But then! The listener's hotline appeared! It was like a gift!
Naturally I called in with my dilemma. What could have been more appropriate? "Hi, this is Marcelle calling from Guelph. I guess you could call this an academic rather than personal problem..." Goldstein emailed me two days later. We set a date and time and I more or less forgot about the phone-in.
Today, three or four months later, long after meeting with Goldstein and having the most enjoyable conversation about my studies ever, my partner Trevor greeted me at the door with the words: "I've got something I want to play for you." He began to play a WireTap podcast, an episode I hadn't yet heard (I've been slacking, I know). It was the phone-in episode. He fast-forwarded the episode to the end when "Bernice Meadows," the show's "voice," was in the process of thanking the callers. Then a montage of dozens of snippets from calls began. "I love your show," "long-time listener, first-time caller," "I've got a problem," "I need your help," and so on. And then- then!
"where do I go from here?" Stop.
It was my voice. My voice sampled on WireTap! I knew it immediately. Its oddly deep but shallow tone. The asking of a question that isn't really a question. The sound of nonchalance with just a hint of anxiety and and a dash of nervous sweat. My voice.
My world and the fictional world of WireTap had finally collided- and I didn't even know it! For weeks I did not know! And now, now that I do know, where do I go from here?
Do not misunderstand me. I am not angry or disappointed or caught in a legitimate conflict of interest. No, no. I am amused, if anything. Delighted, even! But how will this fit into my project? It has to; the whole crux of my project is the legitimacy of the character Jonathan's anxieties about the disappearing body in the face of digital media technologies because the program itself demonstrates that digital media confuse the boundaries between the "real" and the "fictitious." Suddenly my "real" world in which I listen to and study WireTap is less distinct from that fictional source of material driving my project. I am implicated in my own project. And I did it myself! I blurred those boundaries all on my own.
I can't tell if I'm thrilled or terrified.
Some months ago, the folks at WireTap decided to try out a listener's hotline. They claimed not to know what they'd do with it; they just wanted to try it out and see what happened. Listeners were encouraged to call in with all of their problems, whether personal or professional. This happened to be the same time that I was eagerly awaiting Jonathan Goldstein to follow-up on a previous email in which he stated that he was "happy to talk." I had emailed to request a date (no, not that kind of date, though I would not have declined such an invitation myself) to speak in person, as I was heading to Montreal for a short visit. A few weeks had gone by and I hadn't heard back from Goldstein. Wanting to find that delicate balance between pushy/stalker and disinterested/doormat, I had vowed to give it one more week until I wrote him again. But then! The listener's hotline appeared! It was like a gift!
Naturally I called in with my dilemma. What could have been more appropriate? "Hi, this is Marcelle calling from Guelph. I guess you could call this an academic rather than personal problem..." Goldstein emailed me two days later. We set a date and time and I more or less forgot about the phone-in.
Today, three or four months later, long after meeting with Goldstein and having the most enjoyable conversation about my studies ever, my partner Trevor greeted me at the door with the words: "I've got something I want to play for you." He began to play a WireTap podcast, an episode I hadn't yet heard (I've been slacking, I know). It was the phone-in episode. He fast-forwarded the episode to the end when "Bernice Meadows," the show's "voice," was in the process of thanking the callers. Then a montage of dozens of snippets from calls began. "I love your show," "long-time listener, first-time caller," "I've got a problem," "I need your help," and so on. And then- then!
"where do I go from here?" Stop.
It was my voice. My voice sampled on WireTap! I knew it immediately. Its oddly deep but shallow tone. The asking of a question that isn't really a question. The sound of nonchalance with just a hint of anxiety and and a dash of nervous sweat. My voice.
My world and the fictional world of WireTap had finally collided- and I didn't even know it! For weeks I did not know! And now, now that I do know, where do I go from here?
Do not misunderstand me. I am not angry or disappointed or caught in a legitimate conflict of interest. No, no. I am amused, if anything. Delighted, even! But how will this fit into my project? It has to; the whole crux of my project is the legitimacy of the character Jonathan's anxieties about the disappearing body in the face of digital media technologies because the program itself demonstrates that digital media confuse the boundaries between the "real" and the "fictitious." Suddenly my "real" world in which I listen to and study WireTap is less distinct from that fictional source of material driving my project. I am implicated in my own project. And I did it myself! I blurred those boundaries all on my own.
I can't tell if I'm thrilled or terrified.